undergraduate
Undergraduate portfolio requirements of New York Institute of Visual Arts:
The collection of overseas art works should reflect the artistic background and experience of individuals and reflect their best abilities. It is not recommended that students sacrifice quality just to reflect the diversity of media forms; The collection should contain 15 to 20 recent works of art, as well as a recent sketch completed through observation; If you want to apply for a scholarship, the collection must be sent electronically (via SLIDEROOM). Collection in the form of website links is not acceptable.
1. General requirements
Applicable to the following majors: advertising, animation, cartoon, computer art, computer animation and visual effects, pure art, design, illustration, interior design, visual and critical research.
The painting sample is the most important part of the work collection, which can include self portrait, figure painting, object research, scenery and landscape painting. (Two position reference objects can be placed, but not too many)
The school welcomes color paintings, prints, sketches and collages that can reflect the applicant's sense of color; 3D works exploring composition, light, shape and spatial relations should be submitted digitally, with photos from all angles attached, and can also include design projects and computer-generated pictures, but not too many; Design majors applying for computer category shall submit painting works, and sketch books of recent works can also be attached.
2. Requirements for professional photography and video works
Applicants of photography and video should submit 10 to 20 photographic or video works, and those who submit videos should also include at least five photos at the same time. The collection of works should be submitted through SLIDEROOM or CD-R. It is recommended to explore a coherent theme or specific concept; The portfolio should reflect the applicant's concepts, interests, and their understanding of composition, light, shape, and space.
3. Requirements for professional film works
Creation of professional film works It should be a movie article or movie scroll divided into two parts. Movies and video works should be submitted on DVD or through SLIDEROOM, and the length should not exceed three minutes, but excerpts of long videos can be submitted; If DVA is to be sent, the format should be MOV, and the applicant needs to attach a text description of video production.
Specific requirements for this article
Part I: The applicant must describe an imaginary story or an important event, with no more than 500 words. The article must be written in a new style of short story, with a clear beginning, middle and end.
Part II: The applicant must expand the content of Part I into an article of less than 1000 words in film terms. The article should be very vivid visually. As a film producer, the applicant must be able to attract readers with artistic techniques, tell the meaning behind events or stories, and bring vivid experience to readers.
The article does not have to be a script. The admissions office focuses on the narrative ability of the applicant and the success of image, concept and plot integration. The article must be double spaced, neatly printed, and each page marked with a serial number, and the name of the applicant is attached with a label.
graduate student
Admission requirements for the postgraduate portfolio of the New York Institute of Visual Arts:
The collection of overseas art works should reflect the artistic background and experience of individuals and reflect their best abilities. It is not recommended that students sacrifice quality just to reflect a variety of media; The collection should contain 15 to 20 recent works of art, as well as a recent sketch completed through observation; If you want to apply for a scholarship, the collection must be sent electronically (via SLIDEROOM). Collection in the form of website links is not acceptable.
1. General requirements
Applicable to the following majors: advertising, animation, cartoon, computer art, computer animation and visual effects, pure art, design, illustration, interior design, visual and critical research.
The painting sample is the most important part of the work collection, which can include self portrait, figure painting, object research, scenery and landscape painting. (Two position reference objects can be placed, but not too many)
The school welcomes color paintings, prints, sketches and collages that can reflect the applicant's sense of color; 3D works exploring composition, light, shape and spatial relations should be submitted digitally, with photos from all angles attached, and can also include design projects and computer-generated pictures, but not too many; Design majors applying for computer category shall submit painting works, and sketch books of recent works can also be attached.
2. Requirements for professional photography and video works
Applicants of photography and video should submit 10 to 20 photographic or video works, and those who submit videos should also include at least five photos at the same time. The collection of works should be submitted through SLIDEROOM or CD-R. It is recommended to explore a coherent theme or specific concept; The portfolio should reflect the applicant's concepts, interests, and their understanding of composition, light, shape, and space.
3. Requirements for professional film works
The work collection of the film major at the New York Institute of Visual Arts should be a two-part film article or film scroll.
Films and video works shall be submitted on DVD or through SLIDEROOM, and the length shall not exceed three minutes. However, excerpts of long videos can be submitted. If DVA is to be sent, the format shall be MOV. The applicant needs to attach a text description of video production.
Specific requirements for this article
Part I: The applicant must describe an imaginary story or an important event, with no more than 500 words. The article must be written in a new style of short story, with a clear beginning, middle and end.
Part II: The applicant must expand the content of Part I into an article of less than 1000 words in film terms. The article should be very vivid visually. As a film producer, the applicant must be able to attract readers with artistic techniques, tell the meaning behind events or stories, and bring vivid experience to readers.
The article does not have to be a script. The admissions office focuses on the narrative ability of the applicant and the success of image, concept and plot integration. The article must be double spaced, neatly printed, and each page marked with a serial number, and the name of the applicant is attached with a label.