Theme of works collection in the field of touch: body visualizes natural form. She always sees face and body in natural terrain. This project subverts the idea of looking at the body from the terrain. In the space created by her as an art practice, the combination of images and materials transcends gender, and the materialization and body become fabrics, flowing freely.
Her works are inspired by film psychology and history. In her works, she explores the body and its relationship with the natural form. She made soft sculptures of nylon, lycra and copper wire. She learned an alternative method of printing on fabric, worked with metal, and created the first photographic sculpture. Shoot your body with other models, take microscopic images of her skin, hair and leaves, and larger landscapes such as Antelope Canyon and Utah.
In her works, she wants to achieve a lightness of existence. If anxiety can be seen as a metaphorical weight, on our mind and body, she wants to seek a sense of weightlessness, which can be achieved through the process of artistic creation, and by relieving the pressure of society on the body.
By viewing the body as a material affected by gravity (weight) and light (photography), she can criticize the patriarchal structure that shapes my own body and life. The deeper connection between the body and the environment is located by treating the body as a material similar to stone or fabric.
She always sees faces and bodies in natural terrain, but this project subverts this idea, and looks at the body from the terrain. In the space created by her as an art practice, the combination of images and materials transcends gender, and the materialization and body become fabrics, flowing freely. She links fabrics and textiles with a certain concept of skin, and then with kinship. The second layer of skin that can be carved and molded; A veil creates a double image, or canvas prints, stretches and manipulates.
Some parts of our body have trauma, look redundant or have strange shapes. These parts usually look more natural than perfectly carved bodies. The folds of our buttocks, the stretch marks on our thighs, and the waistband on our abdomen look like canyons and caves to me. These parts bear so much sense of insecurity and shame, which directly leads to body image problems and makes the body experience unnatural. Years of misunderstanding and unhealthy body ideal let us lose this experience. She wants to give back her physical experience to the audience, so that they can see themselves as the scenery, with calm and lightness. Think of a body as exercise, as something with potential rather than something that is always lacking.
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