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Style collision and innovative exploration of graphic design works!

Author: Natural light / Style collision and innovative exploration of graphic design works! / Time: 11:39:55, July 11, 2024
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Style collision and innovative exploration of graphic design works! Graphic design, as the core art form of visual communication, continues to explore on the road of innovation. Strange encounter between rough and psychedelic, style collision and innovative exploration in graphic design. Brutalism and psychedelic style show unique charm and charm in graphic design. They inject new vitality and creativity into this field with their unique aesthetic concepts and expression techniques.


Each design style is a unique expression of the spirit of the times. They inject endless vitality and creativity into the design field with their own aesthetic concepts and expression techniques. Among them, the barbarism and psychedelic style, as two distinctive design styles, show extraordinary charm and unique charm in graphic design. The multi-dimensional exploration of "deconstruction" of art overseas works collection!


 Style collision and innovative exploration of graphic design works!


With its unadorned sense of reality and direct impact, barbarism challenges the boundaries of traditional aesthetics; The psychedelic style, with its dreamlike visual effects and strong emotional atmosphere, leads the audience into a wonderful world beyond reality. These two styles not only enrich the language of graphic design, but also provide designers with broad creative space, allowing them to move forward on the road of exploration and innovation.


   Barbarism


Brutalism, originated from the architectural style of the 1950s, its core concept is the direct use and display of concrete and other building materials, as well as the real performance of the building structure. This style is famous for its slovenly reinforced concrete roughness, heaviness and rudeness, which had an important impact on the architectural trend of thought at that time. However, with the passage of time, rudeness has gradually transcended the scope of architecture and penetrated into the field of graphic design.


In graphic design, the barbarism style stands out for its true, direct and unadorned characteristics. Designers tend to use unadorned fonts, non hierarchical information stacks and large areas to show the essence and internal strength of design. This design style pursues true and direct expression, and rejects excessive decoration and decoration, so that the audience can directly feel the information and emotion conveyed by the design.


The visual impact of rudeness in graphic design is also an important manifestation of its charm. Bold color matching, exaggerated typesetting and boundary breaking design ideas together create a rough and personalized visual effect. This visual impact can not only quickly attract the attention of the audience, but also make them have a strong emotional resonance in the process of watching the works. At the same time, the barbarism style also challenges the traditional aesthetic concepts and design rules, and takes the rough, direct and unadorned as beauty, bringing new thinking and enlightenment to the design field.


 Style collision and innovative exploration of graphic design works!


In recent years, the barbarism style has been widely used in the field of graphic design. Whether it is poster design, graphic design or web design, we can see the shadow of the barbarism style. This style has won the favor of many designers and audiences because of its uniqueness and personalized expression. At the same time, with the continuous development and change of the design field, the barbarism style is also constantly innovating and improving.


Combine the concept of barbarism with modern design elements to create more diversified and personalized design works. New Brutalism is the representative of this evolution form. It abandons the overly extreme and rough elements in the traditional Brutalism, combines the traditional layout concept with ultra-high contrast, pure color, colors that often deliberately conflict, and simpler but eccentric typography, creating a design style that has both the flavor of Brutalism and meets modern aesthetic needs.


   ACID Style


The psychedelic style, originated in the 1960s, is a design style that combines surrealism, abstract expressionism, pop art and other artistic concepts. It does not stick to the traditional aesthetic rules, pursues a visual experience beyond reality, and shows a rebellious and charming aesthetic charm by breaking the convention and challenging the tradition. In graphic design, psychedelic style attracts much attention because of its unique aesthetic concept and strong visual impact.


The unique aesthetic concept of psychedelic style in graphic design is an important source of its charm. It integrates a variety of artistic elements and concepts, breaks the rules and constraints of traditional design, and creates a dreamlike and surreal visual effect. The works of this style often make the audience feel as if they are in a non-existent fictional world and feel an unprecedented visual experience. At the same time, psychedelic style also pays attention to the use of color. Bright, saturated colors such as pink, bright green and purple create a dazzling and mysterious visual effect through bold contrast and collision.


In addition to color, psychedelic style also pays attention to graphic design. Streamlined patterns, irregular geometric shapes and abstract symbols are widely used in the psychedelic style. Designers skillfully combine these elements by exaggeration, distortion and overlap to create a surreal and attractive visual effect. The use of this figure not only enhances the visual impact of the work, but also allows the audience to have more associations and imagination in the process of watching.


Another prominent feature of psychedelic style in graphic design is its strong emotion and atmosphere. Designers combine the works with specific emotions or atmosphere through careful design and layout, so that the audience can have resonance and association when watching the works. Whether it is a dreamy, mysterious, melancholy or rebellious emotional atmosphere, psychedelic style can be accurately conveyed through its unique visual elements and expression techniques. The creation of this emotion and atmosphere not only enhances the appeal of the work, but also enables the audience to gain more profound emotional experience in the process of watching.


With the development of the times, psychedelic style is more and more widely used in graphic design. It is not only used in the design of traditional media such as posters and advertisements, but also widely used in digital art, UI design, illustration and other fields. In the field of digital art, psychedelic style presents a more diversified and personalized visual effect through the blessing of digital technology; In UI design, psychedelic style has won more and more users' love and admiration with its unique visual style and user experience design; In the field of illustration, psychedelic style has injected new vitality and creativity into the art of illustration with its rich imagination and expressiveness.


   Integration and innovation


Although there are differences between barbarism and psychedelic style in the form of expression and aesthetic concepts, they all show their unique charm and charm in graphic design. In fact, these two styles do not exist in isolation, but can be integrated in design to create more diversified and innovative design works.


The integration of barbarism and psychedelic style can be reflected in many aspects. First of all, in terms of color application, the high contrast and solid color of barbarism can be combined with bright and saturated colors of psychedelic style to create a visual effect that is both rough and dreamy. Secondly, in graphic design, the simple and direct graphic of barbarism can be combined with the streamlined patterns and irregular geometric shapes of psychedelic style to form a unique visual language. Finally, in the creation of emotion and atmosphere, the directness and power of barbarism can be combined with the illusion and mystery of psychedelic style to create a more profound and rich emotional experience.


This integration not only brings new visual experience and innovative possibilities to graphic design, but also provides designers with a broader creative space. They can flexibly use these two style elements according to the design needs and the characteristics of the target audience, and create design works with both personality and market needs. At the same time, this integration has also promoted the continuous development and innovation in the field of graphic design, bringing more diversified and personalized visual enjoyment to the audience.


   Today's summary


Brutalism and psychedelic style show unique charm and charm in graphic design. They inject new vitality and creativity into this field with their unique aesthetic concepts and expression techniques. With the characteristics of authenticity, directness and unadorned decoration, rudeness challenges the traditional aesthetic concepts and design rules, and brings strong visual impact to the audience; The psychedelic style, with its dreamy and surreal visual effects and the creation of strong emotions and atmosphere, leads the audience into a wonderful fictional world and experiences an unprecedented visual feast.


Furthermore, the integration and innovation of barbarism and psychedelic style has brought new possibilities for graphic design. Their combination not only breaks the rules and constraints of traditional design, but also creates a unique visual effect that is both rough and dreamy, direct and mysterious. This integration not only promotes the development and innovation of the graphic design field, but also provides students with a broader creative space, allowing them to flexibly use these two style elements according to the design needs and the characteristics of the target audience, and create design works with both personality and market needs.


This article belongs to the original article of Natural Light International Art Education Team. Without permission, it cannot be reproduced commercially in any form. If it is found, it must be investigated for legal responsibility.

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