Jewelry design is often regarded as a major without depth, expression and creativity. Because people think that this jewelry is to study the modeling and matching of gold, silver and jewelry, or gold and jade, they think that the collection of jewelry design works is not good for in-depth expression, and the design creativity is also limited. Today, the tutor of the jewelry design professional works collection of natural light will introduce the different jewelry design majors from different countries in the world.
For all students who have chosen to study abroad in art, what they fear most is that their collections of works will be labeled as "three no labels": no depth, no expression, and no creativity. Once they are labeled as "three no labels" by tutors and admissions officers, the collection of art study abroad will basically be rebuilt, and the idea will basically be overturned and restarted!
Jewelry design profession is often misunderstood as "three no professions", no deep connotation, no space for personal expression, and no platform for creativity due to limited materials! This is the stereotype of most people about "jewelry" and "jewelry". People's understanding of contemporary jewelry has fallen into a certain strange circle. The art department instructors help Natural Light summarize this misunderstanding mainly as follows:
1. Jewelry is to study the modeling and matching of gold, silver and jewelry, or gold and jade.
2. Jewelry is born for beauty. It is difficult to be a carrier of personal artistic pursuit. It is superficial and has no depth.
3. Jewelry is a very commercial profession.
So, what is the real situation? Today, natural light takes the top jewelry designers in the industry from Germany, Turkey, Sweden, Argentina and other places as examples to talk about the three misunderstandings of jewelry design, and also provide some materials for your collection of jewelry design professional works
Misunderstanding of jewelry design 1
"Jewelry is to study the modeling and matching of gold, silver and jewelry, or gold and jade."
When contemporary art has not yet flourished, deconstruction, Dadaism, pop art, abstract expression and other terms have not yet appeared, and conceptual art has not yet risen, people's understanding of the word "art" tends to be more sophisticated skills. Jewelry pursues the delicacy and complexity of workmanship, and the nobility and extravagance of materials.
However, in the contemporary era, jewelry design, like painting, sculpture and other art forms, has shifted from the pursuit of skills to the output of ideas. The choice of materials by contemporary jewelry artists is often deeply related to the meaning of the work itself. The characteristics, texture and source of materials often give different meanings and visual feelings to the work.
Jewelry artists can choose any material to express their own ideas, such as heavy gold and silver, transparent acrylic, or rusty iron bars or decayed wood blocks. The choice of more traditional gold, silver, jade or more avant-garde composite materials depends on the free expression of the artist.
Impression of jewelry design
Misunderstandings of Jewelry Design 2
"Jewelry is born for beauty. It is difficult to be a carrier of personal artistic pursuit. It is superficial and has no depth."
It is undeniable that the appearance of jewelry is really due to the pursuit of beauty, but contemporary jewelry is not a profession that is only superficially beautiful. In the previous paragraph, we have said that jewelry design has long changed from skill to concept expression in contemporary times.
In the field of contemporary jewelry, what gives a piece of jewelry value is not how expensive materials it uses, but how unique it has. It is not superficial. On the contrary, contemporary jewelry attaches great importance to deep things.
This can be seen from the curriculum of top jewelry design colleges abroad. For example, RCA/ Master of Jewelry Design, Royal Academy of Arts In Jewellery&Metal, there is a Critical&Historical Studies (CHS for short) set up to improve students' connotation and humanistic quality, which has special tutors to guide students. In addition, art history and genre analysis are also compulsory subjects.
Collection of Jewelry Design Works
Misunderstandings of Jewelry Design 3
"Jewelry is a very commercial specialty."
In fact, employment in jewelry design varies from person to person. Just like learning book design, you can join in commercial publications, artists' books and handicraft books after graduation; Those who study illustration can draw commercial illustrations or sell their artistic creation in galleries; Those who study animation can go to larger companies and studios to enrich the stories of others, or they can do their own animation to express their own hearts.
The same is true for studying jewelry design. In the field of studying abroad in art, there is no absolute answer. It is a personal choice. The learning process of studying jewelry design and studying abroad is basically the same, but your personal thinking mode and pursuit will determine your personal practice, project selection, whether you prefer business or artistic expression, which depends on your own planning for the future field of employment.
After understanding the above three misunderstandings about jewelry design, let's take a look at how these foreign artists and collections of jewelry design works are created
Jewelry Design Collection Various Materials
Jewelry Design Professional Material -- Paper
Lydia Hirte, a German artist, uses cardboard, ink, silk thread and wood gloss paint as the medium of creation. Her creation focuses on studying the strong tension of cardboard itself, and uses this feature to create a self-supporting structure of cardboard. The balance of tension makes objects stable and elastic.
Therefore, in her creation, she does not need to use the combination techniques of common paper products such as gluing, folding or weaving, and also does not need to rely on any metal or rivet as the support structure. She breaks through the limitations of paper creation, gives play to the characteristics of cardboard itself, and focuses on the tension of paper and the creation of art jewelry.
Jewelry Design Collection Paper Media
In 2010, she made a deeper challenge to her creative skills. She created "One week in May – or seven possibilities to move my hands", creating with different hand movements on the same paper structure every day of the week. This experiment deepened her research on hand pressure and paper tension and opened up the possibility of her future creation.
In addition to paper, with the rise of environmental awareness, many artists also use waste plastic as the material for creation. Through the recycling of waste plastic, they give deeper meaning to their works and provide new life and exports of waste plastic.
Jewelry Design Collection Media -- Waste Plastics
Fabiana Gadano, an Argentine artist, is committed to creating contemporary jewelry using waste plastic. Her collection of professional jewelry design works is composed of recycled treasure bottles and jars. Nowadays, the use of a large amount of plastic has posed a serious threat to the environment. Her creation style and materials awaken people's warnings about environmental damage.
Karin Roy Andersson, a Swedish artist, also uses recycled plastic as her creative medium, and systematically and decisively repeats the same action again and again in the creation of jewelry design professional works collection, which has a great relationship with her work and personality. She slowly sews pieces of small single elements together until it forms a large volume.
This repetition and circulation deeply attracted her. The changes in details were very important for the creation and rhythm of patterns. Her jewelry creation found harmony and balance in the changing totems.
Jewelry Design Collection Media -- Nylon Rope
The combination of traditional techniques and innovative materials and forms can also create new sparks in contemporary jewelry creation. The professional jewelry design works of Turkish artist Snem Yildirim focus on the use of nylon rope and the traditional knitting technique "Kanavice" as the creation technique. The natural element flower is the main style for creating Kanavice totem.
Generally, the cross stitch is used to express feelings and tell stories. However, with the passage of time, this traditional skill has gradually been forgotten. Snem hopes to use this traditional skill to reinterpret contemporary stories and give them new vitality.
Collection of Foreign Jewelry Design Works
Jewelry Design Collection Media Material -- Medical Waste
Some foreign jewelry design professional materials have profound symbolic meanings in themselves. Finally, the Dutch artist Eva van Kempen uses medical waste and drugs as the creative media in her creation. In 2018, she created a series of jewelry with contraceptives as the material, It conveys that women finally get their own body autonomy in the progress of medicine.
Professional works of foreign jewelry design
Jewelry Design Professional Works Collection Training Media -- Hair
Artist Melanie Bilenker's works use hair hooks to draw vivid paintings. Her professional jewelry design works are inspired by Victorian hair jewelry. Melanie's works record the daily life. She records the trivial things that happen every day but are often forgotten. The quiet moments make her works appear warmer and closer to life.
Collection of professional works of fashion jewelry design
While Maral Mamaghanizadeh is an Iranian artist who currently lives in Britain. Her creation originates from her cultural background as an Iranian woman and her reflection of feminism. She discusses the role of hijab (the head wrapping scarf) in Islamic culture and thus develops a series of jewelry works with Iranian women's hair as the creation material.
She said: "As an Iranian woman, revealing her hair is prohibited, and talking about feminism and sexuality is also prohibited." From the outside world, observing this phenomenon and understanding of the concept of equal rights between men and women, she chose hair as a creative medium and expressed Iran's long-term political repression of women.
She created a series of brooches with her own and her friends' hair. The design of each work tells everyone's unique personality and story. She used the round shape of the coconut shell as the carrier of brooch knitting, symbolizing women's folded breasts, and took a series of pictures of hair owners wearing brooches made of their hair, As an Iranian woman, she challenges and questions her own culture.
Hair jewelry art not only has far-reaching significance in history, but also contemporary jewelry artists tell their own stories through their unique creation forms.
In contemporary jewelry creation, the choice of materials is very diverse. Materials are just like the language of artists, telling different feelings and conveying the meaning behind them. They are the creative media for artists to express their feelings, and also a bridge between the wearer and the viewer.
Introduction to the supervisor of jewelry design professional works collection:
Miss Wang
Birmingham City University Jewelry Institute/Jewelry Design
Excellent courses: contemporary jewelry design, jewelry hand-painted, metalworking jewelry production, Rhino jewelry modeling
Mr. Wang was selected into the jewelry professional training program of the National Arts and Crafts Research and Development Center during his undergraduate period, and his works were collected in the National Taiwan Arts and Crafts Center; His works have been exhibited in New Generation Design Exhibition, Kaohsiung Municipal Government Cultural Center and major public art institutions; As a graduate student, he participated in the project of Junk: Rubber to gold, a famous international jewelry artist, Dr. Jivan Astfalck; After graduation, his works were exhibited in Birmingham Museum&Art Gallery and published in the International Polymer Clay Association bimonthly; Mr. Wang hopes to use his jewelry professional experience to help the training and guidance of students' works collection of natural light and open the door to famous European and American schools.
Miss Huang
College of Jewelry, Birmingham City University/Jewelry Design
Excellent courses: contemporary jewelry design, jewelry hand-painted, metalworking jewelry production, Rhino jewelry modeling
Mr. Huang studied in the Department of Applied Fine Arts, Furen University, Taiwan - Metalworking Products Group. During his study, he exhibited for a new generation of design exhibitions and participated in the National Traditional Art Center's Village based Artist Plan, committed to the planning and promotion of metalworking art exhibitions; He graduated from the College of Jewelry, Birmingham City University, UK, and participated in the Birmingham IKON Gallery artist in residence program. His graduation work was exhibited in Birmingham School of Art and was selected to be exhibited in the Barcelona Disease Hub in Spain in Enjoia't 2017. At the same time, it was published in Jewelry and Metals Service. Miss Huang hopes to help more students realize their dreams through her own experience and professional knowledge.
More about Collection of jewelry design works:
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